Manipulation on textile surfaces and sample practices
1DOKUZ EYLÜL ÜNİVERSİTESİ, GÜZEL SANATLAR FAKÜLTESİ
Yildiz Journal of Art and Design 2023, Vol. 10, Issue 2, pp. 71-86; doi.org/10.47481/yjad.1363022
Abstract
Textile art has taken its place in plastic arts, with the beginning of the revival of the value given to handcraft of the power of achieving high art status through the teaching of art movements such as Arts&Crafts, Art Nouveau and Bauhaus school, which laid the foundation for the emergence of wearable art. Manipulation practices on textile surfaces are works where craft processes are intense and require practice knowledge and skill of many textile techniques. This aspect of surface manipulations is closely related to philosophy of wearable art, which argues that craft cannot be separated from art. The traditional textile techniques and empirical methods used in manipulation also serve the view of wearable art that glorifies craft. Consid-ering the past and current approaches of wearable art, it becomes clear that one of the most important points of art clothing is the narrative and conceptual aspect of the work created. When we look at the clothing works of textile artists, which have high art status, they construct their surface designs with the conceptuality they create with the concern for the message to be given to the viewer, like an artist and her canvas. It is seen that they focus on handcrafted and mixed media works on the surface, and in clothing forms, they prefer the “T” shaped kimono form, which best reflects the surface like a canvas. In the study carried out in this direction, the techniques used were examined through the manipulation surfaces of artists and designers, the stories they constructed on the surface were examined, and the clothing forms preferred for exhibition were emphasized. Manipulation stories, which started with free technique in art clothing practices, were carried out in accordance with the determined theme in the following process, empirical techniques were mainly included, and fabric prefernces were planned to be completely in line with the chracteristics of the story. In this context, the aim of the practices revealed in the study was to transform the textile techniques used in manipulation into a narrative design with the mixed technique method on the surface and to present them with empirical pattern processes, suitable for wearable art forms, without interfering the surface design with the least possible use of cuts and stitches.
Keywords: Manipulation; textile techniques; mixed technique; wearable art; clothing forms.
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ÖZTÜRK, A.Ç.; AYRANPINAR, S.K. Manipulation on textile surfaces and sample practices. Yildiz Journal of Art and Design 2023, Vol. 10, pp. 71-86. https://doi.org/10.47481/yjad.1363022
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